After five years in jail, Leila is free again. Yannick, a young athlete, recently lost his sight in a car crash. The only discipline in which he can compete is running, but he must race tethered to a guide. Before she went to prison, Leila was an elite athlete. She will be Yannick's eyes. Leila keeps quiet about her past. Sick of the sympathy of his family and friends, Yannick welcomes her silence. Training and preparing to race helps them both rebuild their lives. There are past events that won't let go, and present feelings and emotions that bring upheaval and a new direction. But you have to keep running and battling, down the straight to the line.

Paris, je t'aime is about the plurality of cinema in one mythic location: Paris, the City of Love. Twenty filmmakers have five minutes each; the audience must weaving a single narrative out of twenty moments. The 20 moments are fused by transitional interstitial sequences and also via the introduction and epilogue. Each transition begins with the last shot of the previous film and ends with the first shot of the following film, extending the enchantment and the emotion of the previous segment, preparing the audience for a surprise, and providing a cohesive atmosphere. There's a reappearing mysterious character who is a witness to the Parisian life. A common theme of Paris and love fuses all.